When we turn on the computer, we forget about the world around us.

Interaction with the computer screen has become the main form of (anti)social interaction.

Facing the impossibility of generating a real public space (effective for communication) this action delineates a pleasurable solipsist structure.

Digital space is a broad space that is found nowhere and everywhere. It is this ambiguity that allows it to become that promise.

Digital space is the space of desire.

Using the tools that a computer provides us (programmatic interfaces; mechanic tools) we experience a certain creative, communicative omnipotence.

Using these powers to generate images mitigates our subconscious, free imagination; it becomes mechanical.

Construction and digital manipulation of an image simulates the construction of paradise.

Digital imagery is not designed to modify or classify the objective world but rather our conscience.

Digital space is ephemeral. It ends when we turn off our computer or when we look away from it.

Digital space is a melancholic space, of frustrated abundance.